Saturday, December 31, 2016
Friday, September 30, 2016
Wednesday, May 18, 2016
Marvel Team-Up: The 1970s Comics of Chris Claremont & John Byrne
I'd been feeling nostalgic for early John Byrne art and recently ordered a sampling of books from his 1970s run on Marvel Team-Up. The vendor on Ebay with whom I placed my order had a nice selection of Bronze Age books in VF/NM condition, and each selling for less than the cover price of today's comics.
Iron Man #109 is a book that I purchased solely on the strength of the John Byrne cover. Ain't it cool?
This issue of Iron Man picks up in the immediate aftermath of a battle with villans Midas and the Growing Man–a battle that has left the Stark International building in smoking rubble.
Ol' Shell-Head is joined in the opening pages by Avengers teammate Yellow Jacket, as well as the Jack of Hearts, Whitney Frost (the metal-faced love of his life), and a pretty ticked-off...Tony Stark?
"Stark" is giving Iron Man a tongue lashing over his seeming mishandling of the millionaire industrialist's orders to get the clean-up and the rebuilding of Stark International underway. Yellow Jacket quickly steps in to brief Stark on all of the recent happenings and pretty much saves Iron Man from 'himself.'
In a quick about face, Stark offers his thanks to Iron Man and everyone else for their assistance, and then exits to give his bodyguard a chance to say adios to his amigos.
As the others move to take their leave, the Jack of Hearts stays behind and asks Iron Man if might consider taking him on as an apprentice; the costumed novice realized in the battle with Midas that he has a lot to learn about being a super-hero. Iron Man obliges.
In the second act, Iron Man and Jack of Hearts take one of the Avengers' quinjets on a quick, interstellar jaunt to the moon. They want to investigate the possible existence of lunar base from which the Growing Man launched his attack.
Immediately upon their arrival, our heroes are quickly ambushed by the Soviet super-powers known as Darkstar, Vanguard and Crimson Dynamo!
How will they fare against the soviet threats? If I told you that, you wouldn't want to read it to find out for yourself.
As mentioned, Iron Man #109 is a book I judged by its cover, and I'm glad I did. It was a solid read that reminded me of days gone by when you could jump into any random comic without knowing anything about what happened in the issue before, and still find yourself entertained.
This issue's writing was skillfully handled by long-time scribe Bill Mantlo, and the art was nicely done by guest-penciller Carmine Infantino.
With this issue of Iron Fist, a short-lived series featuring the pulse-pounding exploits of the books' titular character comes to an end.
In the opening pages of the story titled "Enter the X-Men," Iron Fist's young life nearly comes to an end when he is attacked--once again--by a mysterious dragon branded bruiser who's been stalking Fist and attacking from the shadows.
After this last sucker punch, Iron Fist seeks refuge at the home of his girlfriend Misty Knight, who shares a posh Greenwich Village apartment with Jean Grey of the X-Men. Misty, he groggily recalls seconds after his arrival, is away on an undercover cop assignment, and Jean Grey is out with her boyfriend Scott Summers, picking up some last minute items for a little soireé she has planned for that evening.
One of people on the guest list, Wolverine, arrives early and mistakes Iron Fist for a prowler when he spies the fighter entering the apartment through the skylight. Unfortunately for Fist, the hotheaded Canadian's blood is already boiling over Jean's undying love for Scott, so he charges after the apparent prowler in a red-eyed rage.
The psycho lovelorn X-Man is soon joined by his teammates in a battle that could have and, frankly, should have been avoided. But it's still fun to see.
Iron Fist is obviously over-matched, but handles himself reasonably well against the coordinated efforts of Wolverine, Nightcrawler, Colossus, Banshee, Storm...and a justifiably pissed-off redhead who finally comes back from the grocery store.
As this was the the very last issue of the Iron Fist series, fans would get to read by way of the letters column that although the title was ending, they'd be getting to see more of Danny Rand in the pages of the re-named Power Man and Iron Fist (issue #44). And, thanks to the benefit of hindsight, we all know what a historic pairing it was for two really well-liked characters.
Overall, Iron Fist #15 is a fitting end to a now classic Bronze Age title that introduced many comic book readers to Danny Rand, Misty Knight, Colleen Wing, and Sabertooth, Wolverine's ever-popular arch-rival, who was introduced in issue #14 of the series.
The writing and art chores were skillfully handled by the dynamic duo of Chris Claremont and John Byrne, who would take their talents over to Danny's new home in the pages of Luke Cage's book.
In my review of Iron Fist #15, I mentioned the dangling sub-plot of a mysterious martial artist who had been attacking Iron Fist from the shadows. Before moving Fist over to Luke Cage's book, this story is brought to a climactic completion in Marvel Team-Up #63, which pairs Iron Fist with the spectacular Spider-Man.
As per usual, Peter Parker's pockets are full of lint and the rent is due. As luck would have it, the Daily Bugle photographer has received an assignment to shoot the luxurious home of the wealthy Danny Rand (aka Iron Fist). At the same time that Peter arrives at his home, Danny discovers a mysterious note that had been left on the front door by Steel Serpent, a man whose fighting ability reminds him of his own.
Rand abruptly cancels his meeting with Parker so that he can meet with the Steel Serpent, but ends up being shadowed around town by a concerned wall crawler. Meanwhile, Misty Knight, operating under the alias of Maya Korday (and lookin' super-duper fine on the yacht of a character called the Bushmaster) had been starting to think that the criminal tycoon may have something to do with the attacks on her boyfriend.
She blows both her cool and her cover when she overhears Bushmaster confirming during a telephone conversation the that he's put the hit out on Iron Fist. Meanwhile, cut back to Spider-Man. He has lost Danny Rand's trail. Eventually, though, Spidey tracks down the taxi that Rand had been riding in and learns from the driver that his fare had disembarked at a public park. The web-slinger shoots over to the park and soon finds Danny Rand's abandoned clothing.
Minutes later, Spidey finds Iron Fist in the midst of trading losing blows with the chi-draining Steel Serpent! But does the K'un-Lun kid stand a chance against him?
Marvel Team-Up #63 is a fine example of Chris Claremont and John Byrne near the senses-shattering apex of their combined creative powers. The writing is intelligent, the art is impeccable, and the final page--which features Misty holding the limp body of Iron Fist like the Madonna with lifeless body of her son draped across her lap a la the famous "La Pieta"--offers a moving portrait that leads into the soul-searing conclusion in the next exciting issue of Marvel Team-Up!
Danny Rand lost the battle with Steel Serpent, and was drained of the mystic power of the Iron Fist. Spider-Man and the Daughters of the Dragon (Misty Knight and Colleen Wing) team up to help Danny get back the powers that were taken from him. But Steel Serpent also has plans to to end the life his adversary altogether, to make sure that he retains the power that he has unjustly come to believe is his birth-right.
In this issue of MTU, readers get the revisionist back-story on Danny Rand and Davos, "son of Lei Kung" (a.k.a. Steel Serpent). It's a tale that goes back two decades to the magic-shrouded realms of K'un-Lun City. After the psychedelic flashback, we come to our senses to find Spider-Man and the Daughters of the Dragon trading blows with Steel Serpent. And even fighting as a gang of three, the trio is virtually outta' of their league. Will Iron Fist join the battle and tip the scales?
Marvel Team-Up #64 offers yet another fine example of early work by writer Chris Claremont and artist John Byrne. The issue nicely finishes up a lingering sub-plot that was started in Iron Fist #14, before the title was cancelled. The two men would stay with Marvel Team-Up for two more issues, bringing to conclusion a classic tag-team that included issues 60, 61, 62, 63, 64, 65 & 66 of this long-running title.
Also, before going on to make their soon-to-become legendary run on Uncanny X-Men, Claremont and Byrne would take the green and gold garbed ass-kicker from his solo book to another team-up or sorts in the knucking-cracking pages of the renamed Power-Man and Iron Fist (issue #48).
The cover of Uncanny X-Men #122 is somewhat misleading, as any good cover should be. It shows the adamantium-skinned X-Man in the danger room flexing his "muskles" between the teeth of a hydrolic vise, under which appears the tag line "The trial of Colossus." And while the issue does feature such a trail, the actual title of this issue is "Cry for the Children."
In all frankness, this issue could actually have been called "Black Power." Because that is what came to mind for me as I read turned its pages and was hit with hit with the unexpected appearances of Luke Cage (aka Power Man) and Misty Knight.
Well, Knight's appearance wasn't all that unexpected. She shared an apartment with the X-Men member Jean Grey, and had made many cameos in Uncanny starting with issue #102.
Luke Cage (aka Power Man) on the other hand, was more of a surprise.
As a young kid in the 1970s, you often found yourself--or at least I did--dreaming of seeing more than one major character who looked like you on a comic page at the same time–because it almost never happened. This story offered one of those very rarest of times.
The greater portion of this book of is devoted to living up to its cover. It's the part in which I was least interested. The more intriguing part for me takes place in Harlem, where Storm has been chauferred in the back of Xavier's Rolls Royce by none other than Wolverine.
Approximately seven pages are devoted to Storm. She asks Wolvie to drop her on the corner of Broadway & 135th. From there, she roams the streets for several hours in a seemingly aimless attempt to find what she lost there two decades before: the American roots of her childhood.
Entering a familiar looking, but abandoned brownstone, Storm climbs the stairs to the second floor and opens the door of what she has a hazy memory of being her childhood apartment. But to her dismay, it's a shooting den now inhabited by half a dozen or more teenage heroin junkies!
Things quickly go sideways when the young junkies see the regal-looking woman as a target for a quick shakedown––so they can score more drugs. One of the teens pulls a switchblade and slashes Storm's hand with it. She then reveals herself to be more than they bargained for.
Storm shows her mutant power for controlling the elements and the teens start scrambling. But one falls out of her line of vision and circles behind her with his knife drawn. He creeps up behind our heirone and readies his blade to strike. But Luke Cage and Misty Knight arrive to the apartment just in the nick of time to cover the exquisite X-Man's back.
The meeting between these three characters is short but sweet. But that it occurred at all makes me recall now why I was a particular fan of comics written by Claremont and illustrated by Byrne.
At the same time as Uncanny X-Men, the duo also handled the production of Powerman and Iron fist. Both books frequently featured various degrees of overlapping stories, and shared characters––a handful of whom were people of color. That was cool.
And I wish now that there had been just one Uncanny X-Men tale featuring just Luke Cage, Misty Knight and Storm, written and drawn by Claremont & Byrne. That would have been so fantastic. But alas...
Iron Man #109
"Moonrise"
Cover date: May-July, 1978
Iron Man #109 is a book that I purchased solely on the strength of the John Byrne cover. Ain't it cool?
This issue of Iron Man picks up in the immediate aftermath of a battle with villans Midas and the Growing Man–a battle that has left the Stark International building in smoking rubble.
Ol' Shell-Head is joined in the opening pages by Avengers teammate Yellow Jacket, as well as the Jack of Hearts, Whitney Frost (the metal-faced love of his life), and a pretty ticked-off...Tony Stark?
"Stark" is giving Iron Man a tongue lashing over his seeming mishandling of the millionaire industrialist's orders to get the clean-up and the rebuilding of Stark International underway. Yellow Jacket quickly steps in to brief Stark on all of the recent happenings and pretty much saves Iron Man from 'himself.'
In a quick about face, Stark offers his thanks to Iron Man and everyone else for their assistance, and then exits to give his bodyguard a chance to say adios to his amigos.
As the others move to take their leave, the Jack of Hearts stays behind and asks Iron Man if might consider taking him on as an apprentice; the costumed novice realized in the battle with Midas that he has a lot to learn about being a super-hero. Iron Man obliges.
In the second act, Iron Man and Jack of Hearts take one of the Avengers' quinjets on a quick, interstellar jaunt to the moon. They want to investigate the possible existence of lunar base from which the Growing Man launched his attack.
Immediately upon their arrival, our heroes are quickly ambushed by the Soviet super-powers known as Darkstar, Vanguard and Crimson Dynamo!
How will they fare against the soviet threats? If I told you that, you wouldn't want to read it to find out for yourself.
As mentioned, Iron Man #109 is a book I judged by its cover, and I'm glad I did. It was a solid read that reminded me of days gone by when you could jump into any random comic without knowing anything about what happened in the issue before, and still find yourself entertained.
This issue's writing was skillfully handled by long-time scribe Bill Mantlo, and the art was nicely done by guest-penciller Carmine Infantino.
Iron Fist #15
"Enter the X-Men"
Cover date: September, 1977
With this issue of Iron Fist, a short-lived series featuring the pulse-pounding exploits of the books' titular character comes to an end.
In the opening pages of the story titled "Enter the X-Men," Iron Fist's young life nearly comes to an end when he is attacked--once again--by a mysterious dragon branded bruiser who's been stalking Fist and attacking from the shadows.
After this last sucker punch, Iron Fist seeks refuge at the home of his girlfriend Misty Knight, who shares a posh Greenwich Village apartment with Jean Grey of the X-Men. Misty, he groggily recalls seconds after his arrival, is away on an undercover cop assignment, and Jean Grey is out with her boyfriend Scott Summers, picking up some last minute items for a little soireé she has planned for that evening.
One of people on the guest list, Wolverine, arrives early and mistakes Iron Fist for a prowler when he spies the fighter entering the apartment through the skylight. Unfortunately for Fist, the hotheaded Canadian's blood is already boiling over Jean's undying love for Scott, so he charges after the apparent prowler in a red-eyed rage.
The psycho lovelorn X-Man is soon joined by his teammates in a battle that could have and, frankly, should have been avoided. But it's still fun to see.
Iron Fist is obviously over-matched, but handles himself reasonably well against the coordinated efforts of Wolverine, Nightcrawler, Colossus, Banshee, Storm...and a justifiably pissed-off redhead who finally comes back from the grocery store.
As this was the the very last issue of the Iron Fist series, fans would get to read by way of the letters column that although the title was ending, they'd be getting to see more of Danny Rand in the pages of the re-named Power Man and Iron Fist (issue #44). And, thanks to the benefit of hindsight, we all know what a historic pairing it was for two really well-liked characters.
Overall, Iron Fist #15 is a fitting end to a now classic Bronze Age title that introduced many comic book readers to Danny Rand, Misty Knight, Colleen Wing, and Sabertooth, Wolverine's ever-popular arch-rival, who was introduced in issue #14 of the series.
The writing and art chores were skillfully handled by the dynamic duo of Chris Claremont and John Byrne, who would take their talents over to Danny's new home in the pages of Luke Cage's book.
Marvel Team-Up #63
"Night of the Dragon"
Cover date: November, 1977
In my review of Iron Fist #15, I mentioned the dangling sub-plot of a mysterious martial artist who had been attacking Iron Fist from the shadows. Before moving Fist over to Luke Cage's book, this story is brought to a climactic completion in Marvel Team-Up #63, which pairs Iron Fist with the spectacular Spider-Man.
As per usual, Peter Parker's pockets are full of lint and the rent is due. As luck would have it, the Daily Bugle photographer has received an assignment to shoot the luxurious home of the wealthy Danny Rand (aka Iron Fist). At the same time that Peter arrives at his home, Danny discovers a mysterious note that had been left on the front door by Steel Serpent, a man whose fighting ability reminds him of his own.
Rand abruptly cancels his meeting with Parker so that he can meet with the Steel Serpent, but ends up being shadowed around town by a concerned wall crawler. Meanwhile, Misty Knight, operating under the alias of Maya Korday (and lookin' super-duper fine on the yacht of a character called the Bushmaster) had been starting to think that the criminal tycoon may have something to do with the attacks on her boyfriend.
She blows both her cool and her cover when she overhears Bushmaster confirming during a telephone conversation the that he's put the hit out on Iron Fist. Meanwhile, cut back to Spider-Man. He has lost Danny Rand's trail. Eventually, though, Spidey tracks down the taxi that Rand had been riding in and learns from the driver that his fare had disembarked at a public park. The web-slinger shoots over to the park and soon finds Danny Rand's abandoned clothing.
Minutes later, Spidey finds Iron Fist in the midst of trading losing blows with the chi-draining Steel Serpent! But does the K'un-Lun kid stand a chance against him?
Marvel Team-Up #63 is a fine example of Chris Claremont and John Byrne near the senses-shattering apex of their combined creative powers. The writing is intelligent, the art is impeccable, and the final page--which features Misty holding the limp body of Iron Fist like the Madonna with lifeless body of her son draped across her lap a la the famous "La Pieta"--offers a moving portrait that leads into the soul-searing conclusion in the next exciting issue of Marvel Team-Up!
Marvel Team-Up #64
"If Death Be My Destiny..."
Cover date: December, 1977
Danny Rand lost the battle with Steel Serpent, and was drained of the mystic power of the Iron Fist. Spider-Man and the Daughters of the Dragon (Misty Knight and Colleen Wing) team up to help Danny get back the powers that were taken from him. But Steel Serpent also has plans to to end the life his adversary altogether, to make sure that he retains the power that he has unjustly come to believe is his birth-right.
In this issue of MTU, readers get the revisionist back-story on Danny Rand and Davos, "son of Lei Kung" (a.k.a. Steel Serpent). It's a tale that goes back two decades to the magic-shrouded realms of K'un-Lun City. After the psychedelic flashback, we come to our senses to find Spider-Man and the Daughters of the Dragon trading blows with Steel Serpent. And even fighting as a gang of three, the trio is virtually outta' of their league. Will Iron Fist join the battle and tip the scales?
Marvel Team-Up #64 offers yet another fine example of early work by writer Chris Claremont and artist John Byrne. The issue nicely finishes up a lingering sub-plot that was started in Iron Fist #14, before the title was cancelled. The two men would stay with Marvel Team-Up for two more issues, bringing to conclusion a classic tag-team that included issues 60, 61, 62, 63, 64, 65 & 66 of this long-running title.
Also, before going on to make their soon-to-become legendary run on Uncanny X-Men, Claremont and Byrne would take the green and gold garbed ass-kicker from his solo book to another team-up or sorts in the knucking-cracking pages of the renamed Power-Man and Iron Fist (issue #48).
Uncanny X-Men #122
"Cry for the Children"
Cover date: June, 1979
The cover of Uncanny X-Men #122 is somewhat misleading, as any good cover should be. It shows the adamantium-skinned X-Man in the danger room flexing his "muskles" between the teeth of a hydrolic vise, under which appears the tag line "The trial of Colossus." And while the issue does feature such a trail, the actual title of this issue is "Cry for the Children."
In all frankness, this issue could actually have been called "Black Power." Because that is what came to mind for me as I read turned its pages and was hit with hit with the unexpected appearances of Luke Cage (aka Power Man) and Misty Knight.
Well, Knight's appearance wasn't all that unexpected. She shared an apartment with the X-Men member Jean Grey, and had made many cameos in Uncanny starting with issue #102.
Luke Cage (aka Power Man) on the other hand, was more of a surprise.
As a young kid in the 1970s, you often found yourself--or at least I did--dreaming of seeing more than one major character who looked like you on a comic page at the same time–because it almost never happened. This story offered one of those very rarest of times.
The greater portion of this book of is devoted to living up to its cover. It's the part in which I was least interested. The more intriguing part for me takes place in Harlem, where Storm has been chauferred in the back of Xavier's Rolls Royce by none other than Wolverine.
Approximately seven pages are devoted to Storm. She asks Wolvie to drop her on the corner of Broadway & 135th. From there, she roams the streets for several hours in a seemingly aimless attempt to find what she lost there two decades before: the American roots of her childhood.
Entering a familiar looking, but abandoned brownstone, Storm climbs the stairs to the second floor and opens the door of what she has a hazy memory of being her childhood apartment. But to her dismay, it's a shooting den now inhabited by half a dozen or more teenage heroin junkies!
Things quickly go sideways when the young junkies see the regal-looking woman as a target for a quick shakedown––so they can score more drugs. One of the teens pulls a switchblade and slashes Storm's hand with it. She then reveals herself to be more than they bargained for.
Storm shows her mutant power for controlling the elements and the teens start scrambling. But one falls out of her line of vision and circles behind her with his knife drawn. He creeps up behind our heirone and readies his blade to strike. But Luke Cage and Misty Knight arrive to the apartment just in the nick of time to cover the exquisite X-Man's back.
The meeting between these three characters is short but sweet. But that it occurred at all makes me recall now why I was a particular fan of comics written by Claremont and illustrated by Byrne.
At the same time as Uncanny X-Men, the duo also handled the production of Powerman and Iron fist. Both books frequently featured various degrees of overlapping stories, and shared characters––a handful of whom were people of color. That was cool.
And I wish now that there had been just one Uncanny X-Men tale featuring just Luke Cage, Misty Knight and Storm, written and drawn by Claremont & Byrne. That would have been so fantastic. But alas...
Thursday, May 5, 2016
Wednesday, May 4, 2016
Friday, April 1, 2016
Thursday, March 31, 2016
Great Hera! A wordless remembrance of Nubia, Wonder Woman's conveniently forgotten twin sister
Wonder Woman #206 (Jun-Jul 1973, DC)
?!?!?!
Thursday, March 17, 2016
Wednesday, March 16, 2016
Saturday, February 27, 2016
Random Access Memory: Recollections stirred by the purchase and reread of The Mighty Thor #258
The Mighty Thor #258
"If the Stars be Made of Stone"
April, 1977
"For a race to have come so close to paradise only to allow their unreasoning fear to destroy it– 'tis so tragic my love."
Thor #258 is one of the few comic books that I remember having in my small collection as a child. I even recall purchasing my copy from the back-then-much-taller-than-me comic book dispenser at the local Rexall drug store on 103rd and King Drive in Chicago.
It was sometime in March when this issue, dated April 1977, hit newsstands. I'd just recently turned eight-years old in the weeks before. Sitting at the dining room table with my younger sister the night of my proud purchase, I had just started reading when, quite unexpectedly, my father and mother began fighting in the kitchen, just a few feet away.
Absolutely terrified by what was happening, an extremely physical altercation between my dad and mom, I ran out of the dining room and darted down the stairs to unlock the dead bolt on the door.
With only black dress socks on my feet, I ran out onto the dark, slush-covered sidewalk, and rushed to ring the doorbells of my closest neighbors, until someone finally answered my frantic ringing four houses down the block.
As tears streamed down my cheeks, I told Karen, the teenage daughter in the Wills residence, what was happening at home. Her grandmother heard me from her perch in the dining room near the top of the stairs and said that she would call down to the house.
In cold, wet socks, I stumbled back down the frozen sidewalk and entered the house to hear the voice of my mother on the telephone telling whoever it was on the other end that everything was okay.
But everything was not okay.
In many ways, that jarring turn of events marked the slow beginning of the end of my parent's marriage.
Now so many years later, decades in fact, I don't remember if I actually finished reading my comic book that night. I do remember removing my socks, though, drying my face and climbing back into the dining room chair to stare blankly at its pages.
In addition, I have a recollection of me playing outside by myself in the snow the next day after school. And my father's beige Volvo pulling up a little while after his shift at the police department ended.
He walked over to where I was stood. My confused young mind was still trying to make sense of the night before. He looked down at me and said softly, "Daddy is sorry."
I gave him a hug through my puffy winter coat and somehow managed not to cry.
Admittedly, this is a deeply personal memory to be sharing in relation to an attempted comic book review. But it's something that rereading this issue of Thor stirred; something that I'd mostly forgotten, really.
Along with the memory came the reminder of one of the reasons that so many comic book readers are drawn to comics. It's because we deeply admire these costumed crusaders who have the power to save and to protect people.
Even sometimes from themselves.
This unworthy attempt at a review doesn't tell you a single thing about the actual story. But maybe what I have written conveys that Thor #168 is a comic book that holds a lot of significance.
Forever tied to it is a semi-sad remembrance of a night many years ago when I, as a young child, felt like someone who could have used the help of a superhero.
Or maybe, in some small way, the hero of that tale was me.
Thor #168 contains beautiful art by the legendary John Buscema and Tony DeZuniga, which in some panels calls to mind the classic artistry of 1950s comic book legends like Al Williamson and Frank Frazetta. The story is artfully handled by writer Len Wein.
Wednesday, February 24, 2016
Tuesday, February 23, 2016
Leslie Uggams stars as 'Blind Al' in Deadpool?!?!?! Oh yes, the universe has jokes!!!
Leslie Uggams plays Blind Al in Deadpool
No sooner did I finish writing that related post when I happened across news that the illustrious Leslie Uggams plays 'Blind Al' in the Marvel Comics film, Deadpool. I haven't seen the film, but I worked on this and other posts featured here well in advance of the dates that they're posted to the web. So I already know that Deadpool has completely murdered box office records. Good for Ryan Reynolds and for Marvel. I really don't have anything special to say about Ms. Uggams playing the role of Blind Al (originally a white character in the comics), other than that her casting also falls firmly in line with my thoroughly detailed thoughts on the token black character frequently doing 'double duty' in Hollywood. But I will say that I enjoyed workin' on the graphic posted above; may have missed my calling as a graphic designer, methinks. Oh.
Monday, February 22, 2016
You may not know it yet, but painter Sean Qualls might be your new favorite artist
Afro Psyche #1
6" x 9", Mixed Media on 1/2" Plywood
This wonderful work by artist Sean Qualls taps into my heart and mind in ways that a great deal of modern art cannot, no matter how masterful the work may be. Rising like an aged wraith from its gnarled surface are deeply ingrained memories of the wrinkled veins of cracked enamel that spread out all across the weathered fronts of old picket fences that I once passed every day as a kid. And the lovely sista’ figure at the heart of the piece stirs up fond remembrances of the homegrown folk art that always looked out at me from the mural covered brick walls of corner stores in various neighborhoods, and concrete viaducts that framed avenues, boulevards and side streets throughout the town. The work is warm and familiar, and it emanates a very comforting sense of rootedness. But it's also just pretty darned cool. To see more work by Sean Qualls, check out his blog by clicking here. And click here too to connect with the artist by way of Facebook.
Sunday, February 21, 2016
The Black Panthers: Vanguard of the Revolution - Full film streaming free at the PBS | Independent Lens website
"Five stars and one black leather gloved fist Up. Way up!"
– St. Paco, In Search of Atsuko Jackson
If I'd spent two or so hours watching Deadpool at the movie theater before I sat down in the comfort of my own home to watch The Black Panthers: Vanguard of the Revolution (streaming for free via the PBS website), I would probably hate myself right now. Don't run the risk of hating yourself. Watch this documentary today. Your brain will love you for it.
Saturday, February 20, 2016
Thursday, February 18, 2016
Plastiqué Explosive: Naomi Campbell & Seb Janiak for Soon International Magazine #16, 2011
Photographer extraordinaire Seb Janiak and supermodel Naomi Campbell took the term 'high gloss' to a whole 'nother level in 2011 for the 16th issue of Soon International magazine. Campbell herself looked absolutely stunning in this futuristic, fashion forward set that had her taking on the guise of a gorgeous, glossy, artificial life form. Ms. Campbell is 'clearly' one of the best to ever do the damned thing, and if you haven't seen this particular set before, then prepare to be blown away by its artistic brilliance.
Tuesday, February 16, 2016
Sunday, February 14, 2016
Wednesday, February 10, 2016
Sunday, February 7, 2016
That time when artist Ron Wimberly used an online comic strip to run a proverbial 'clinic' on social literacy
Because of Ron Wimberly, I'll probably never look at Pantone™ ink swatches the same way again. If you missed it (and you somehow might've), the brilliant comic strip "Lighten Up" that Ron broke the "Internets" with some 12 months ago, may have an equally profound impact on how you too look at ink color swatches, art, comics, and the super sensitive subject of race. Check it out over at The Nib by clicking right here.
Friday, January 8, 2016
Recommended reading: "Being ‘hafu’ in Japan" by Roxana Saberi / Al Jazeera American News
Miss Universe Japan 2015 Ariana Miyamoto
Photo: Akio Kon / Bloomberg / Getty Images
"Hafu with a Korean or black parent tend to have the toughest time in Japan, according to Megumi Nishikura, a half-Japanese, half-Irish-American filmmaker who co-directed the 2013 documentary Hafu..."There’s an unspoken racial hierarchy” inside and outside the hafu community, she said. “If you are half-white, you are considered to be the ideal hafu.”
Wednesday, January 6, 2016
Tuesday, January 5, 2016
Psyence Fiction: Naomi Campbell & Seb Janiak, circa 1997
The stunning collection featured in this post (circa 1997) is actually a prelude to another remarkable set to be featured later on this blog, also produced by photographer Seb Janiak and supermodel Naomi Campbell. Looking at this particular set, though, now nearly two decades since the images were first created––the work still seems somewhat ahead of its time.
On a side note, they also inspired me to think: If I had happened to wake from slumber one morning a year or so ago and––by some bizarre, body-swapping circumstance––found myself wearin' the pajamas and construction boots of the set decorator on FOX TV's Empire, I would have made it my mission to have these first images featured on walls inside the condominium apartment of Hakeem Lyons.
If you're not a cool enough to be a regular watcher of the cult hit that is Empire (or a lame ass, marathon viewer like myself), Campbell had a part in season one as the cougar-ish love interest of Hakeem, one of Empire's main characters. Ginormous (4ft x 6ft) framed prints of the two mentioned images on walls of Hakeem's living room or den would have been utterly, utterly, utterly bad ass. Trust and believe.
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